In the mid-1950s, declaring “there is no reason not to consider the world as a gigantic painting,” Robert Rauschenberg began a series of radical experiments with what he called “Combines,” a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. “Canyon” (1959), one of the artist’s best-known Combines, is a large canvas affixed with paper,...
Series: One on One
Paperback: 48 pages
Publisher: The Museum of Modern Art, New York (February 28, 2014)
Product Dimensions: 7 x 0.2 x 8.8 inches
Amazon Rank: 2801189
Format: PDF Text TXT ebook
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